, printed from the Looking at Buildings website on Saturday 15th March 2025
The exterior is largely of stone, the style Perp. High W tower with pierced battlements (original?). Large Perp three-lightGlossary Term [2] windows along the sides, with cast-iron traceryGlossary Term [3]. The buttresses between had cast-iron pinnacles, now removed. Six-lightGlossary Term [4] E window in short embattledGlossary Term [5] chancelGlossary Term [6]. The galleried interior is a delightful surprise, extraordinarily lightGlossary Term [7] and delicate due to the use of cast ironGlossary Term [8] throughout. Slender clustered columns divide naveGlossary Term [9] from aisles. Traceried arches span between the columns to support the naveGlossary Term [10] ceiling, and between the columns and the outer wall to carry the flat ceilings over the aisles (the tie-rods are a 20th century insertion). Further traceried arches support the galleries, which cut across the windows. The ceilings are of slate slabs slotted between the cast-iron raftersGlossary Term [11], with cast-iron traceryGlossary Term [12] on the underside. Thicker slabs of slate attached to the upper edge of the raftersGlossary Term [13] form the roof - a system patented by Cragg in 1809. Monuments. Under the tower, John Rackham, d. 1815, a tablet with an ambitious Dec GothicGlossary Term [14] surround, designed by Rickman and carved by S. & J. Franceys. - In the S galleryGlossary Term [15], Thomas W. Wainwright (a surgeon), d. 1841, with a relief of the Good Samaritan by W. Spence. - In the N galleryGlossary Term [16], Walter Fergus MacGregor, d. 1863, an elaborate GothicGlossary Term [17] tabernacleGlossary Term [18] incorporating a portrait roundel, by E.E. Geflowski. - Stained glass mostly destroyed in the war. The third window on the N is the only complete survivor, 1863, by A. Gibbs. E window 1952, by Shrigley & Hunt."
Last updated: Monday, 26th January 2009