Ornament plays an important part in defining the character of work of different periods. Sculptors were sensitive to changing fashion, and as a result decorative detail can provide useful evidence toward dating different parts of a building. C12 English RomanesqueGlossary Term (or NormanGlossary Term) architecture made use of distinctive mouldings to decorate the recessed ordersGlossary Term around the round-headedGlossary Term archGlossary Term. BilletGlossary Term mouldingGlossary Term, a series of little rolls like a dotted line, and chevronGlossary Term, or zigzagGlossary Term mouldingGlossary Term were widely used.
In the early C13 the often angular forms of RomanesqueGlossary Term ornament gave way to more fluid and lively carving.
For a brief period around 1300, English sculptors, imitating French precedent, became interested in depicting naturalistic plant forms.
'BallflowerGlossary Term' was a fashion of the earlier C14, expecially in the western counties.
Openwork filigree decoration and delicate carved detail, is found in some of the most lavish PerpendicularGlossary Term work of the early C16.
Types include: Basket arch or Anse de Panier (French, lit. basket handle): three-centred and depressed, or with a flat centre. Chancel: dividing chancel from nave or crossing in a church. Crossing: spanning piers at a crossing in a church. Depressed or three-centred: with a rounded top, but curving inward more at the sides. Four-centred: with four arcs, the lower two curving inward more than the upper, with a blunt central point; typical of late medieval English architecture. Jack arch: shallow segmental vault springing from beams, used for fireproof floors, bridge decks, etc. Ogee (adjective ogival): a pointed arch with a double reverse curve, especially popular in the 14th century; a nodding ogee curves forward from the wall face at the top. Parabolic: shaped like a chain suspended from two level points, but inverted. Relieving or discharging: incorporated in a wall to relieve superimposed weight. Shouldered: with arcs in each corner and a flat centre or lintel. Skew: spanning responds not diametrically opposed. Stilted: with a vertical section above the impost i.e. the horizontal moulding at the springing. Strainer: inserted in an opening to resist inward pressure. Three-centred: see Depressed, above. Transverse: spanning a main axis (e.g. of a vaulted space). Triumphal arch: influential type of Imperial Roman monument, free-standing, with a square attic or top section and broad sections to either side of the main opening, often with lesser openings or columns. Tudor: with arcs in each corner joining straight lines to the central point. Two-centred: the simplest kind of pointed arch.
Globular flower of three petals enclosing a ball. Typical of the years c. 1300-30, during the Decorated phase of English medieval architecture.
Norman ornament of small half-cylindrical or rectangular blocks.
V-shape used in series or (later) double series on a moulding in Norman architecture. Also (especially when on a single plane) called zigzag.
Shaped ornamental strip of continuous section, e.g. the classical cavetto, cyma or ovolo.
The English version of the Romanesque style, which predominated in Western Europe in the 11th and 12th centuries; so called because it was propagated after the Norman Conquest in 1066. It is associated especially with the expansion of monasticism and the building of large stone churches, and is characterized by massive masonry, round-headed arches and vaulting inspired by ancient Roman precedent, and by the use of stylized ornament.
The differently formalized versions of the basic post-and-lintel (column and entablature) system in classical architecture. The main orders are Doric, Ionic, and Corinthian. They are Greek in origin but occur in Roman versions. Tuscan is a simple variant of Roman Doric. The Composite capital combines Ionic volutes with Corinthian foliage. Though each order has its own conventions of design and proportion, there are many minor variations. Superimposed orders: orders on successive levels, customarily in the upward sequence of Tuscan, Doric, Ionic, Corinthian, Composite.
English version of late Gothic, developed from the 1320s, which continued into the early 16th century; sometimes abbreviated to Perp. Characterised by large windows with a grid pattern of mullions and transoms, with the mullions continuing to the head to the arch, which is often of flattened or four-centred form. This motif of panel tracery is used also for wall decoration, and on the fan vaults that were used for the most prestigious buildings.
The dominant style of Western Europe in the 11th and 12th centuries. It is associated especially with the expansion of monasticism and the building of large stone churches, and is characterized by massive masonry, round-headed arches and vaulting inspired by ancient Roman precedent, and by the use of stylized ornament. In England it is commonly known as Norman.
(Scots): A rounded bartizan or turret, usually roofless. An angle round is set at a corner.
Used for V-shapes used in series or (later) double series on a moulding in Norman architecture, especially when on a single plane; also called chevron.
Last updated: Monday, 26th January 2009